Acton shirt

This shirt has been many months in the making! Fair warning, this is a very long, very picture heavy post because I’m just so pleased with this shirt that I took a squillion photos and had trouble paring them down as much as I usually do.

The pattern is the Sewaholic Granville shirt http://www.sewaholicpatterns.com/granville-shirt/ A lot of things came together to make this a slow project. It had its frustrating moments but in the end I am really pleased I took my time on this one.

Never work with kids or animals

I started muslining this in August, and although I took good notes that’s long enough ago that the details have started to fade so I hope I can get everything I did down. I have to say, by the way, how grateful I am that I have gotten into habits of taking notes as I go along. So useful.

Anyways, I muslined this at the very start of August. I muslined a size 16 which is for a 41″ bust, and did an initial FBA of 1.5″. This is what it looked like:

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Thank goodness for Instagram too, because it is helping keep track of what muslin is which. I ‘grammed this noting that I had done the 1” FBA but needed another 0.5”. I had been reasonably sure I would but wanted to do it by increments since I wanted a close fit. Also the sleeve is SO long and SO SO tight, to the point where it was actually cutting off the blood to my hand in this photo. I had read everywhere over the internet that the sleeves on this shirt are tight and long but just forgot to do anything about it.

An Opinion

Here’s my second muslin – the green side is the same as muslin #1 and the white side is the adjusted side:

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I added an inch to the sleeve and it’s still way too tight. I noted on this muslin that I should try a narrow shoulder adjustment (as suggested by Andie on my insta post of the first muslin), and perhaps add room at the hips.

My sewing machine then went in for a service which slowed me down. When it was back I made a THIRD muslin. This one is a size 16 graded to an 18 from the waist down, with a 1.5″ FBA. It also has had the yoke slashed and spread to add an extra couple of cm in it, and the back princess seams bumped out at the top too, to give me more room in the upper back. I didn’t note it exactly but I think there’s a total of 1cm added across the back.Here it is, in brown bedsheet this time:

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This one has a darted sleeve, which I drafted using this tutorial from iconic patterns. I muslined the darted sleeve in my 2015 Christmas dressand really liked the way it sat, and have been wanting to try it in an actual garment ever since, since I went with no sleeves for that dress. Drafting it was really fun! I forget how much of a thrill I get from drafting, I really need to get my moulage finished and do more of it from scratch. I also did a bit of fiddling around and experimenting with sleeve cap height and width and shape. I didn’t take super great notes about this, unfortunately, but it was really interesting how drastic the difference was even with quite small changes.

For ages I’ve been widening and flattening my sleevecaps, as per LiEr’s advice in this post  – and also I know I’ve seen other people mention that it gives more movement room. However when doing this I found that there was definitely a sweet spot. If it was too low and wide I got the same sort of pulling at the armpit that I get with a too-tall sleeve cap.

I have always found it hard to fit the area around my armhole and bust – I end up with fabric pulling one way or the other, no matter what I do. Even with an armhole dart, like in my teal M6696, I end up with pulling – that make now is coming apart at that seam in fact, so there’s clearly stress at that point. That sleeve was quite tall and thin, I guess the point where it’s straining is exactly where a wider cap would have more fabric. Maybe I am making slow progress on understanding sleeves. Maybe.

You can see that there is still a small amount of pulling, as well as some pooling of fabric when my arm is down. I think I would benefit from taking a dart at the armpit and rotating it out into the bust dart but then again, that curve is already quite sharp from my large FBA so I’m not sure how practical that is.

Trying vainly to show off elbow darts
Elbow daaaaarts (they’re on the inside of the elbow so… yeah you can’t see them here at all)

The final sleeve is a size 16, darted + a full bicep adjustment of 1″ made + an extra 1cm added to the seam allowances at the end as it was still a little too tight. I also shortened it further because the darts mean that it doesn’t pull up as I move, so it can actually be exactly wrist length without looking like it doesn’t fit me when I move. I neglected to note how much I shortened it by, whoops.

Anyway, that third muslin was still a little bit tight but I thought that since the sheet I made it from had zero give, and all my intended fashion fabrics had give, that I could probably go ahead and make it up.

Fully bent wrist and cuff is still exactly in the same spot. <3_<3 elbow darts!

I have a bunch of shirting fabrics that I bought from the Fabric Store probably about a year ago, intending to make a few plain white shirts. I was only going to buy one shirt’s worth but ended up buying four because when they sent out the samples I kind of fell for all of them. I’m a sucker and I can’t resist a good shirting. The one I used for this is a bit heftier, and I didn’t keep the swatch so I don’t know the exact composition but from memory it was a small percent of lycra in it, so it’s a bit stretchy.

When it came it was a bit more ivory than white, which I hadn’t noticed in the swatch – you can’t really tell in artificial light but in daylight I can definitely see it’s more yellow than the white thread. This meant I was feeling a bit less enamoured of it, so if I arsed it up I wouldn’t be too sad. I also figured the stretch would cover some fitting sins so I could launch in to it without more (frickin’) muslins and anyway at a certain point the only way to fit something further is to make it up and wear it in real life.

Anyway, I totally burnt myself out on all those muslins, and wanted to sew quick and fun things for my Bali trip instead, so I shoved all the muslin pieces into a box and folded up the adjusted pattern pieces and put it all away, until right at the end of last year (literally December 31) when I wanted to sew something and I didn’t know what. I figured this was all muslined and ready to go, and I was feeling guilty about having put in all that work and then left it right at the end. So off I went.

I went slooooow because, honestly, I just wasn’t feeling it. I wanted to sew but every time I got this (or any other) project out I just felt ‘ehn’ about it. Also I was coming off the Connie blouse and trying to learn my lesson from that about not rushing things. I wanted to be happy with the job I did of this shirt, whether or not the fit ended up turning out. And I was hopeful that since what I wanted was the process of sewing, I could enjoy that part if nothing else, and practice some skills (including patience!) in the meantime.

Channeling the Rock.

It’s not perfect, but I’m proud of the work I did on this. I flat felled the back seams – they’re a bit wonky, next time I won’t clip the notches because that meant I had to tuck those areas a bit deeper in than the rest.

The sides are French seamed and everything else is finished in another seam. I initially put the collar together per the instruction order before getting confused and reverting to Andrea’s order. much better. I slip stitched the collar closed, so everything is lovely and near on the inside.

The fabric stretched a little as I sewed it, I probably should have used a walking foot. Most places it came good with a wash and a steam but it has meant that the sleeves are a little but puckery where they are set in. Just enough to annoy me but not enough to be bothered redoing.

Innards

I could probably have taken a slice out at the back for my swayback, as you can see it bunching – it’s worse when tucked in to something because it sort of bunches on top of the waistband.  Something to think about for next time.

I don’t have any nice iron in interfacing and I had read about interfacing with silk organza, so I did that. I basted the organza to both pieces – i.e. both the under and upper collar, rather than just the under – for extra oomph. I was worried it would be less crisp than regular interfacing but actually it’s perfect. Crisp without being heavy. I’m not sure how it would go on a lighter fabric, though.

I’m in love with the darted sleeve. I feel so proud of it! It does make the sleeve very irritating to iron though, because it’s an odd shape – although I realised afterwards that I have a sleeve board now and that probably would have made it easier! Initially I was thinking that I could stand to lose another ½” off the sleeve length, but now I’ve worn it a few times I’ve decided it’s perfect.

It’s only the second or third time I’ve done a tower placket and for some reason I just could NOT make my brain understand it. The first one I did came out really well but the second one is a bit wonky. I was sewing and ironing this thinking ‘I just have to keep practicing, and one day I’ll be able to do a tower placket without even looking at the instructions!’ One day.

 

 

 

 

 

 

 

 

 

 

 

I thought about putting the pockets on this but I can’t find my paper pattern, only the pieces I traced, and I didn’t trace that piece. So no go, which I think was the right decision anyway. I’m honestly not sure where the pattern could be – I remember putting it with the envelope of traced pieces and now I just can’t find it. Luckily I put the instructions in with the traced pieces! I hope it turns up because I would like to compare it with the Oakridge blouse which I also have, because I’d like to make that up but don’t want to do a bunch of muslins if I don’t have to, so if they’re similar I can mash up the Oakridge with my adjusted pattern.

I also neglected to mark the cuff and collar stand buttonholes on the pattern pieces I traced, so I had to guess where to put them. I don’t think I did a good job with the collar stand one! It’s right at the edge. The buttons are from my stash – I have a huge tub of white buttons I got at an op shop, all sorted out. Thank you to whoever’s stash this came from. I had seven of the ones I liked so I used those for the front and some similar-ish ones for the cuffs. They look close enough that I won’t notice.

I did cut the wrong side for the button placket though! I didn’t have quite enough fabric to cut it out again, so I just went with it. I thought I would find it confusing to button because it’s the opposite to what I’m used to but actually I don’t notice, so therefore I don’t care!. I can’t tell if I cut the placket slightly off grain or just sewed it wonky, but I had to do a bit of manipulating to get it to sit right. I will be extra extra careful with it next time, because that IS annoying. I place dthe buttons by finding my bust point and putting a button there, and then using the set spacing on the pattern piece to mark the others.

I also wish I hadn’t added to the sides, because now they stick out a bit oddly. I don’t think I’ll go back and take it in but I really wish I could find that dang pattern so I could revert it back to a straight size 16 at the sides.

 

I really like how it looks buttoned all the way up, however I don’t wear it that way because it feels a bit chokey. I also notice myself tugging at the front and pulling it forwards. Having watched how it sits, I think this is because of where the collar is. I have a forward neck, and so the collar sits back off my neck – see the extreme version above – and therefore sits back further on the front of my neck than is comfortable. When I tug it so the collar is comfortable, the shoulder seam sits a 1/2″ too far forward.

I can see various other ways that the collar is pulling the rest of the shirt off, too. When the top button is undone you can see drag lines from the second button. When I tug it forward it sits nicely, and if I arrange the collar so it’s not being pulled by my neck it sits nicely. So I think it’s coming from that issue.

I can’t find much information about adjusting for this, though. I did just buy ‘Fit for Real People’, finally, and am waiting for it to be delivered, so perhaps that will enlighten me? I have thought about how I would adjust this and cut out another shirt with my made-up adjustment so I guess we’ll see!

I don’t feel it pulling across the back but it is stretchy fabric – for the next version I’ve given myself a little extra room at the top there. Just an extra 1/2cm or so.

So yes, it’s just short of perfect. But the fabric feels so lush and I’m so pleased with how well put together it is, and the fit is pretty dang close. I learnt a lot making this and am proud of how I did keeping myself patient and doing little bits at a time until it was done. I feel pretty great when I’m wearing this one – and the first day I wore it five people told me I was looking very fancy, so I’m taking that as a good sign!

Connie blouse and Tilil skirt

Hello all and happy new year! I hope 2017 is treating you all well so far. Mine is ok, although the last few days have been stinking hot – yesterday it got to 40C, which means we’re stuck in the living room as it’s the only room in the house with air con. I took it as a prompt to edit photos for a couple of FOs. We did make it to the beach yesterday, and the water was delightful to swim in. We saw two dolphins right up near us (after a moment’s panic after seeing the fin that it might be a shark) and a large jellyfish, the latter of which prompted us to get out of the water right quick, but was still beautiful. We don’t get deadly ones down here but they still hurt very much if you get stung by them!

Anyhow, on to the actual sewing content! First up is the skirt, which I finished last year. It’s another Simplicity 1166

I made this one back in October so I don’t remember all of the details but it was made pretty much exactly as the last one, which means that it’s the largest size with an extra 2″ added to the waistband at the back, and the length shortened 3″. I didn’t change the pleats at all – I was even more careful marking them this time because I wanted to see if my problems with the last one was user error, however they fit into my enlarged waistband perfectly!  I feel like there is a pleat missing or a drafting error for the larger sizes, maybe. Anyway it worked in my favour I guess.

The fabric is some Ikat that I bought at Spotlight a while ago. It was on their clearance table for months and I kept coming back to it so in the end I bought it, despite it being just a little bright for my usual comfort zone. I made this in the leadup to our October Bali holiday because I thought I might wear it there and I figured the colours would fit in there better than here! In the end it was too warm to wear this skirt there, it’s too much fabric, although the denim version was the perfect plane outfit.

I really like how the stripes in the Ikat show off the different angles in the skirt. The fabric is a bit heavier than the last make, and hangs really nicely. It took me ages to take photos because when I bought the buttons I ended up with one too few and couldn’t sew the last one on until I went back and bought another, which I was very lazy about doing. I did wear the skirt in the meantime though! Initially it felt really bright and garish which seems so strange to me now – it’s become a real favourite and I get a lot of compliments on it.

I elasticised the back again and I was thinking I might need to go back and make it tighter, or take back out some of the extra I added, because the skirt is a bit loose. However last time I wore it I noticed that it pulls at the front where the waistband meets the skirt. You’re supposed to add a large snap there and I never bothered, but because the placket sits on one of the stripes of the Ikat I can see the skirt is pulling right where the snap should be. That pulls the buttonholes on the waist right to the edge and distorts the waistband, which makes the skirt sit loose. So I’ll add the snap and I think that will fix the issue, or at least minimise it.

I really love this pattern. It’s so comfortable and easy to wear, and it feels elegantly casual. I probably don’t need another at this stage but I can definitely see myself making it again as the others wear out. The Turnstone version needs to be re-hemmed, because the back stretched out on the bias and is now quite ridiculous. I’m being very slack about my mending and fixing pile, so it’s been there a while and I really notice its absence in my wardrobe. Must get on it and get it back in rotation!

Now for the blouse! This is the bodice of Butterick 6055, which I have made three times now, lengthened into a blouse. I was pretty ad hoc about it, and I’m not sure I’m happy with how it turned out.

To make the bodice into a blouse, I added 4″ and followed the curve of the sideseams out. I experimented with the darts and ended up sewing the top part of the dart as marked on the pattern, and then tapering very quickly to nothing below.  I also ended up sewing the centre front seam below the facing with a smaller seam allowance, because my stomach needed extra room there.

The back is a bit too tight and I noticed on wearing it that the fabric has pulled around the back darts, so I think I might take them out altogether. You can see in the above photo that it’s bunching up.

I sewed this is an attempt to get out of my sewing slump, and because I really could use some shirts in my wardrobe. However, I just wasn’t feeling it I was not very careful with it. the hems are terrible (I should go back and fix them), and I think I need to reshape the curve of the top armseam to be smoother because they are sitting funny. I think this is an issue with my traced-off pattern, so I’ll go back and fix that too.

I did add a gusset to this one as well, as per my Christmas dress, but I had a lot of trouble with it this time!

The fabric for this blouse is cotton linen from Spotlight and, frankly, it’s awful. The weave is incredibly loose, and you can see the threads pulling away from each other even when it’s not being worn and the seams aren’t under pressure at all. It also pulls off grain if you so much as look at it, which made doing the gussets really hard. They are not neat at ALL but at least I eventually managed to get them in with minimal puckering at the points.

I made my first to B6055’s in the same linen, but the white is the worst of the bunch. The other dresses haven’t worn very well either – they’re ok, but I will probably need to retire the navy one at the end of this summer, as it’s looking a bit sad. I wouldn’t buy this linen again. You get what you pay for, I guess!

It also, of course, wrinkles like nobody’s business! The above photo is after ironing it and then wearing it only for photos. That’s linen for you! I put an invisible zipper in the side, upside down so that the opening is at the bottom, but I forgot to take a photo of it. You can sort of see it in the above photo where I’m lifting my arm up to show the gussets. To be honest, it’s annoying to zip and unzip and mostly I just struggle into this shirt without using the zip, which I can just do.

As wonky as the gussets are, they worked in that I can comfortably do this:

And even this!

Not bad for cut on sleeves. However, there’s some weirdness going on with how the sleeves are sitting, and some odd pulling and folding above the bust, which you can see below and in the first picture. I think in the photos it looks about the same as any cut-on sleeve issue but it does move a bit strangely and look odd in real life.  I’m not sure if this is due to the too-tight back, or the gussets being incorrectly placed, or maybe I pulled things off grain while putting in the gussets, or maybe it’s just that the fabric is light enough that the heavier gussets are pulling it strangely. It’s not a massive problem but I do notice it while wearing it and it makes me feel a bit less put together.

I used mid-weight sew in interfacing for the collar facing. I like how it sits – it’s been washed once more since these photos and those points have calmed down a little, but I do like a collar with a bit of weight to it. However another problem of the linen is it’s a bit sheer, and the facing at the front shows through. You can only just see it in these photos because they’re a bit overexposed (honestly I feel like I have totally forgotten how to take blog photos! I hope I’ll get back into the swing of it soon!) but it’s quite obvious in real life, and I’m not sure I’m ok with it. It looks… odd.

I tried it with my Malmaison skirt which is the other skirt I can see it going with and I’m nor sure I like it. The issues with it makes me feel like it’s more casual, because it’s not as neat, so I like it better with a skirt I feel is more casual. Also, without the skirt of a dress to hold it down it rides up. I think I might like this shirt better in a heavier fabric, with the side seams tapered out further at my hips, and maybe and extra inch added. As it is, I see it getting some wear because it does fill a gap in my wardrobe, but honestly I’m hoping to replace it with something better before long. At least the linen is out of my stash?

Christmas Dress 2016

Hello all! I took a bit of an unintended break there for a couple months, huh? More on that at the end of the post, I want to get to that juicy sewing content first!

Here is my Christmas dress for 2016! I made one last year and at that point said ‘well how many Christmas outfits does one need?’ Naturally that meant that I decided three weeks before Christmas this year that I needed a new one. I couldn’t stop thinking about this vintage christmas card that Heather posted last year.

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I had an idle look for fabric that would work and found some in Lincraft – it’s part of their basic cottons line. The fabric is VERY crisp, for better or worse, so it doesn’t drape very well and it creases lots and also it was very hard to hand stitch the facing down without it being very visible. But you know, once a year I can live with that. I don’t think I’d make another dress out of this fabric but it would make an ok shirt, or kids dress. The collar is just white homespun or broadcloth or something from my stash.

Anyway initially I was planning to make a half-shirt dress – like this one that Lily has since posted over at Mode de Lis. But then I figured I’d really left it too late, I didn’t want to muslin anything so I’d go with a pattern I’d already made, which meant B6055, my now most worn make. I love this dang dress. Except that the sleeves don’t have great movement, and I’ve been meaning to figure out how to put gussets in it and I figured a christmas dress was a low-stakes way to do that.

Gusset innards with reinforcing organza

Figuring out the gussets was intimidating but fun! For the actual sewing part I used Gertie’s tutorial but since the pattern didn’t come with gussets I had to figure out how big to make them and where to place them. This was surprisingly hard to track down – lots of places say things like ‘just add a slit at the armpit’ but like… there’s a lot of variables there! After some googling I found a google book scan of a pattern drafting book which instructed on sizing and said to take the slice from the turn of the armpit in the direction of the shoulder point. So that’s what I did! It worked really well and was very fun. I didn’t finish the edges because the tute didn’t say so but I think I probably should have.

I also didn’t orient the stripes very well because I was spending my brain power working out which bit went where and didn’t think about it until afterwards. Oh well. The tute didn’t specify topstitching either but I thought it was a good idea. The gussets definitely make it much more comfortable and give much better range of movement – I still wouldn’t want to play tennis in it or anything but I’d say I have about as much movement as in a regular tailored shirt. I’ll definitely be using gussets more in the future.

Anyway the bodice went together smoothly, which it ought to because I’ve made it a tonne before. Except that I forgot it was meant to be cut on the fold so I cut it in two pieces and then had to sew a teeny seam allowance there – but it doesn’t seem to have made it too tight or anything. But then I ran into trouble with the skirt. I had decided to put in a waistband which I did by simply cutting the bodice 2″ shorter – and smoothing out the curve of it because as drafted it fits into a curved circle skirt – and then adding a 2″ plus seam allowance strip for the waistband. But I broke a bunch of my rules about sewing and made decisions before everything was together so I ended up moving the waistband up and then down again because the proportions were off. Note to self: ALWAYS put the skirt on the dress before making that decision, it will weight it down way more than you think. Because of this mucking around the skirt ended up an inch or so shorter than I’d prefer – I think the waist is actually maybe half an inch too high. Close enough!

I initially attached a gathered skirt because I wanted the stripes maximised. but I HATED it. I just do not like gathers on me, at all. I was also limited by the amount of fabric I had because I bought all that was left on the bolt so I found the gathers made the middle very bulky but the skirt was actually quite narrow and not floofy enough.

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NO THX

I think the best thing would have been to do big box pleats but I was coming down to the wire, time-wise and I also was kind of just done thinking about this dress. So I defaulted back to the pattern as-drafted. I tried to stripe match and to get the line down the middle to sit somewhere nice, with moderate success.

The cottons a bit sticky and also I was taking these hurredly on Christmas Day which was stinking hot so I didn’t get a good one of the side but the stripes line up pretty nicely. Please excuse the wrinkles – these are all after a full day of eating and sitting in a hot car for two hours. I think it held up pretty well! The collar is a bit off but I’ve since washed it again and now it’s lying properly – it takes a couple of washes for the interfacing to chill out.

I initially chucked in an invisible zipper because it was quicker but it wasn’t sturdy enough and it popped – also not helped by me deciding it was too baggy and cutting down the seam allowances before I put the zipper in! Dumb, breaking more of my own rules not to make anything drastically smaller before the fastenings are in. I then had to let it out again and use teeny seam allowances and it’s ok but probably could do with an extra cm or two, because it does ride up a bit when I sit.

Anyway I ended up going back and hand picking the zipper so I could get as close to the seam allowances as possible. This meant the zipper teeth show where the waistband is because it was too thick to turn under nicely, but that’s where I really needed the room so I went with it. I actually quite enjoyed hand picking and will definitely be doing that again in the future. It took a bit but it wasn’t as time consuming as trying to set in a zipper five times.

A not very good photo of the zip

I was also contemplating putting cuffs on the sleeves to mirror the collar but then decided I couldn’t be bothered. In the end I think I like it better without.  My cousin reckons it’s low-key enough that I could wear it on non-Christmas occasions, but I’m not so sure! Maybe with a black jumper over the top I could get away with it? Either way, it was a hit at Christmas, I felt very festive in it and my sewing-master grandma approved of the gussets. A win!

So about the break. I think I burnt myself out in October with a bunch of deadline sewing, and just haven’t been feeling it, so there’s been very little sewing and therefore no blogging. Initially I felt weirdly guilty about it but then I decided, you know, sewing is a hobby. It’s meant to bring joy. If I’m not feeling it, I’m not feeling it – although I’ve started to dip back in of necessity because I need some more warm weather clothes and sewing is the only way I get new clothes now. But I’m not putting any pressure on myself to either sew or blog, so I anticipate that things will still be a bit quiet around here for a bit, aside from a couple of FOs that I’ve finally gotten photos of so they will pop up shortly.

In the meantime I’ve still been doing crafty stuff – I’ve been catalouging my stash on the Cora app, refolding everything and getting rid of stuff I don’t love in an attempt to get all of my stash into the designated space in my craft room (there are a couple of secret boxes in the spare room wardrobe). I’ve started drafting a moulage using Suzy Furrer’s crafsty course and it’s going ok although she uses a lot of industry standard measurements with super don’t work for me, and I’m now at the part where I have to do all the adjustments to compensate for that and I’ve gotten a bit frustrated with it. I’ve also picked up a couple of stalled knitting projects and moved them to the next bit, which is satisfying.

I’ve also been extremely busy doing a new job at work – I go back to my regular position when I start back next year. I’ve been doing a similar job but the next level up (as well as training my fill in person at the same time) and it’s been really fun and interesting but definitely tiring, especially at the end of year panic where everyone realises they have to get everything done before January, and my manager was off sick and someone else was on leave and someone else left so I was the only one in my team there! Hectic.

I also started taking zoloft because I realised as we came out of winter that this one was really rough for me (and also tbh the US election news did not help my mental health at all. Yikes). I coped really well but doing that basically took everything I had. I’ve only been on it a week but already I am much less exhausted – I hadn’t realised how tired I was! I mean I knew I was tired but it had become normal to have absolutely no energy for anything. I am hopeful that zoloft will be the right drug for me and will help me get back to a better normal. I’m very lucky to have a great GP who is on the same team as me and determined to find the right thing for me, and helped me get over my weird reluctance to try meds – that internalised ableism will get you! But something has definitely been not right in my brain chemistry, and thank goodness for modern medicine, with all its downsides it sure has many upsides.

So that’s the story! As I said I suspect it’ll still be slow here but I’m getting back into sewing slowly so expect to see me around a bit in the New Year. Until then, happy holidays, whatever you celebrate, and here’s to a wonderful, safe, loving 2017 for all of us and everyone else.

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Carolyn pyjama shorts

Here is another in my discouraging backlog of ‘fine but not quite right’ – a pj/lounging set made up of Carolyn pj shorts and a springfield hack. I’ll cover the springfield at the end, since I’ve made a similar hack  before. But first, the shorts!

As I keep yammering about, I’m trying to up my loungewear game. I thought a pair of nice pj pants might help matters, so I decided to give the Carolyn pjs from Closet Case Files a go.

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I made the largest size in these, which is what my measurements indicate. I’ve misplaced my notes on these so I’m guessing a little bit about the specific adjustments I made. Hopefully I cover everything. I muslined these up first because my experience with the ginger jeans led me to believe this crotch curve might not work for me. I was definitely correct in that suspicion.

I had way WAY too much fabric at the waist and, like the gingers, this was all focussed at the centre seams. When I pinched it out the side seams sat perfectly. I ended up taking almost the same adjustments as the gingers – 2″ total out of the front crotch and I think not quite 4″ out of the back. I was originally going to just elide the faux fly but in the end I chopped it off and reattached it to my adjusted pattern, so it is there. I didn’t bother unpicking the basting on these though.

I also found the back of the legs way waaaaaaaay too wide. Like just sticking way out and I knew that would also result in chub rub, from too much fabric at the inseam. I slashed and folded out some amount of width – I think maybe 1″? The fronts were fine. I couldn’t find any other larger ladies who have made the shorts – I suspect in full pants I would appreciate that extra room in the back, but in the shorts it was just ridiculous. I also lengthened them 1.5″ to get them below where my thighs touch, to reduce chub rub. I had to adjust the cuff as well – the bottom of the shorts is the same size as the cuff so I just measured and chopped.

I was a bit worried they’d be too tight across the bum – there’s just a slight bit of pulling there – but actually they’re ok. They are snug though, and I would consider doing a full butt adjustment next time – one like this or this, not like the colette blog one which adds to the inseam. I don’t need more width at the inseam I need it across the widest part of my butt, basically in the middle of the pattern piece. You can see the pulling more clearly in some of the photos below. It’s ok for this pair – I have movement room and I’m not worried about busting them or anything but I think it’s worth fixing in the next go round.

I was feeling a bit (unreasonably) cranky about the amount of changes I had to make to these, but in the end, I absolutely love them! They feel elegant and comfy at the same time, even though they’re just a simple pair of shorts. The only thing letting them down is that the elastic I chose is a bit firm and I should have made it a bit longer. They are fine, but they are firm enough that I will wake up in the middle of the night needing to go to the bathroom, because they are pressing on my bladder. Not ideal. I don’t think I’ll bother going back and making these looser (the elastic will get a bit less rigid over time anyway), but when I make this pattern again I’ll make sure I don’t go too nuts on that negative ease. I’m also not sure I’d make the pockets again – they’re a bit too tight to use – too much thigh! They add a nice touch though, I guess.

I am definitely keen to make a longer pair, and I want to make the matching top – I’d like to make it out of this same fabric but I need to see if I can get more. I’ll also be planning a warm pair when it gets colder again. I am also seriously seriously considering just making them up in a linen or something and wearing them as actual pants. Do you think I can justify them as fashion pyjamas? I’m on trend! I also think the shirt would make a nice casual camp-shirt style top if you made the collar pointy. Tell me, dear readers – am I losing my grip or is a shirt a shirt?

As for the top I made to go with this, I did the same Springfield/lakeside hack I’ve done before:

I couldn’t find the same pieces I used before, though, so I had to re-draft them. I don’t know if I did something different or if it’s just the vagaries of fabric differences, but there are… issues with this one. The back flaps definitely don’t overlap as much as my last one did, and it drags the yoke down. I think it needs to have a wedge taken out of that yoke – you can see the extra room in it – and the flaps need to overlap much further. I considered unpicking this to do that but honestly I don’t think I’ll bother. Although this is lovely to lounge in (and gets a big thumbs up from S), I do always feel a bit exposed in it. I think if I can find more of this fabric I might just replace the back overlaps with the regular Springfield back. That way I will also be able to sleep in  it without getting myself all tangled!

I actually thought through the finishing on this one and bound the bottom edge all in one. But unfortunately by the time I got to the neck and arms, I had run out of fabric for binding – I cut one of the backs wrong and had to recut so I was short. Instead of doing something sensible like using a different fabric for the binding, I cut what I had in half so it was 1″ instead of 2″ and did THE dodgiest binding job that has ever been in the whole world. It’s truly awful, flips out, is fuzzy… So essentially, this top is pretty much unwearable until I fix that. I mean, it’s fine. It won’t fall apart or anything. But I can’t look at it without wincing.  This is why I don’t like to sew on a deadline – I tend towards rushing enough anyway, I don’t need the help. I was trying to finish this to take with me to Bali and I shouldn’t have.

The back of the pants – you can see faint straining over my butt. I never thought I’d be posting my butt on the internet and telling people to look closer… what a time to be alive…

I did wear this a bit in Bali but I think the top is going to be put away until I can source more fabric to fix that back. I’m glad I tried this style but in the end, I just don’t think it’s for me. The original Springfield back will make it perfect pjs though. At least it goes with my robe?

100% unfaked yawning

Morgan dress

Hello folks! I’m working away at some of that blog backlog, so I’m starting with the last thing I had intended to blog. To be honest, I think this one might be responsible for my general feelings of malaise re: blogging. Quite unfairly, I now think.

Here’s another version of the Dorothy Lara dress by Decades of Style.

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Construction-wise, there’s not much to say about this one. I made it almost exactly the same as my last version. It’s a size 44″ bust with a 3″ wedge taken out of the top neckline to reduce the blousing. I switched the zipper to the right hand side and left off the pockets. Simple. I did think about changing where the skirt gathers and making it across the whole dress or maybe even only at the sides. but because of how the dress is assembled, that would be a bit fiddly, or I’d had to have changed the construction order. So I left it as is. I did gather both the front and back bodice evenly across the middle, rather than at two points as directed by the pattern. I also left those un top-stitched. I did top-stitch the skirt and the neckline in black thread.

However. because of the fabrics, this one feels and acts really different to my last.

This one is in a rayon from Spotlight – it’s printed with little zebras:

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It was originally just a black and white print but I dyed it at the same time as I did the material for the sav-anna dress. I was always intending this to be a dress in this general silhouette but after sewing the green fabric up and realising that I just don’t really like wearing prints that much, I didn’t feel very motivated to sew it up. It’s also a little bit splotchy – I really should have gotten a bigger pot to dye in, so it’s slightly uneven. I avoided the worst bits when cutting but I ended up with a darker patch at the top of the skirt, and a lighter patch in the middle of the torso. I don’t think  it’s super noticeable – I see it because I’m looking – but I do worry they might look like weird shadows. If i decide it bothers me I can always overdye it another shade darker, to even it out.

He cried until I picked him up and then he wouldn’t let me put him down for the rest of the shoot.

After my first DL dress, I decided that I might like this print in this dress. I can’t figure out exactly my beef with prints but it’s specifically on my torso, and somehow the folds and gathers on the DL mitigated whatever it is that I’m not so keen on about prints. Honestly, I just can’t work out what my problem is with them, just that I feel not like myself if I wear prints near my face – the same way I do if I’m wearing autumn colours or super short skirts. Just not me.

Look at this ridiculous animal and his ridiculous feets.

I also knew I wanted to sew a rayon version of the DL dress to wear in Bali – last time I went I wore my Japanese flowers dress all the time and it was perfect – light and breezy, shoulders covered, easy to wear. I knew the DL would be even better and a rayon DL would just be perfect. So I cut this out and sewed it up and was very pleased with it. And then I tried it on and took photos and when I looked at the photos I just felt bleh about it.

I’m glad I waited to blog this – I did start before I left for Bali and the tone of that post was ‘I feel frumpy in this dress, I kind of hate it’. Now I’m back and looking at the photos again I don’t even know what my problem was! It’s fine! It looks good! I think it was a combo of being very very tired and also it didn’t look quite how I was expecting. Compared to the cotton version, the waistband is considerably looser even with interfacing, and also the rayon is heavy and drapey, so the torso area is much more droopy. For comparison, here’s me wearing both dresses in Bali, on the balcony of our villa.

 

S took these photos and insisted I posed

 

You can see the rayon version is much more sack-like and has less shape in the body. This was absolutely a plus side in humid Bali, but it left me feeling a bit glum. Like Leah said, I still do wince a tiny bit when I see myself in this dress, especially that photo where it’s loosened up a bit with wear. It’s not the silhouette I was expecting, quite, and my personal style is really sensitive about that sort of shape. It’s so interesting to me how such a tiny difference takes me from thrilled to disappointed in a make. I think this is why I tend towards overfitting for things that need ease in the mid torso, like shirtdresses. I have a fine line there between what I feel good in vs what feels ill fitting. I think I need to work on this because it’s objectively not accurate and, frankly, it’s not practical because a gals’ gotta have sitting room in her dresses!

Feets

I did in fact wear it almost constantly in Bali. Honestly, I should have sewn one more DL dress and then taken only these dresses and maybe one pair of shorts. That was all I wore. It was as perfect for the climate as I had predicted.

In-action shot making peanut sauce at the cooking class we took

The waistbands are noticeably different – I notice in the cotton one that it sits right on my body whereas the rayon one sort of hangs out from it. So I suppose I could always take it in a bit. But I don’t think I will bother. Body image issues aside. I do wish that I had remembered that I was intending to take some length out of the centre back to account for my swayback. It droops quite a bit there and I can feel it dragging a bit as I walk. I also need to increase those neck darts to reduce how it sits up at the back of my neck.

I also can see that I could have taken some length out of the front in this version – the waistband sits a little bit below my actual waist and there’s folds and gaps there in certain photos. So if I were to make this again in rayon, I think I would take maybe an inch or even just half an inch out, to find a bit more of a compromise between fitted and loose and comfy. I am also hanging this draped over the hanger rather than with the hanger in the shoulders (does that even make sense??) to reduce the amount of dragging that the bodice is subjected to. Rayon is heavy!

That said, it’s possible that the rayon will firm up more in multiple washes, in which case it will be perfectly fit in about six months. Even if it doesn’t, I am still (now) very happy with this dress. It’s not how I was picturing it but it’s definitely fine, and it will be a perfect summer dress. It will probably be a weekend dress rather than weekday because I don’t feel quite neat enough in it to wear it to work but honestly I need those in my wardrobe just as much – and my office is too cold to ever wear rayon dresses in, anyway.

So there we have it. I’m very glad I waited to blog this and I think I might finally be getting the lesson to not judge my makes by how I feel the second I put them on, because that moment is often overshadowed by too high expectations and weird body image feelings.

I reckon I could manage at least one more Dorothy Lara in my wardrobe, too… what a great little pattern this is!

Fabric shopping in Bali – Klungkung market and Jalan Sulawesi in Denpasar

Hello everyone! I took a little unintentional hiatus there. I’m not going to apologise, however, because starting a blog post with an apology about how long it’s been since you posted is even more boring than asking, during a monopoly game, ‘what if this money were real’?

I do have a bit of a backlog of makes, which I had initially intended to blog and schedule to go up while S and I were on holiday in Bali a couple weeks back. However, when it came down to it I… just didn’t want to. I’d been doing a bunch of sewing in prep for the holiday, because my summer wardrobe is a bit minimal, and I was also pattern testing (that post to come soon I hope) and I just ran out of steam for blogging. So I didn’t. No need to make blogging a chore, right? It’s a hobby, it’s supposed to be fun. I’ll get to those makes eventually, but I picked up a revolting cold on the plane back and now I’m back at work and not feeling very motivated to blog OR to sew. Honestly it’s nice to have a break, and it will all still be here later, when I feel like it again.

I thought, though, that I would do a quick post and tell you about the fabric shopping I did in Bali, because before I went I looked into it and found other people’s blog posts very useful. I also found that there’s much more from the point of view of quilters, so I thought some garment-fabric perspective might be good. I will apologise for my truly terrible photos in this post, though. I was quickly snapping them while buying stuff and they’re fuzzy and wonky and… well… I was focusing on the buying not the photographing! I’ve linked to the trip advisor pages for both locations and they have more photos if you’re curious, they give a pretty good idea of the places and what there is there to buy.

I hired a driver for the day – we had a day tour earlier and hired the same driver. We were thinking about doing shopping and then maybe something touristy on the way back, time allowing. In the event, S stayed home as he was a little unwell and I went by myself, so I ended up just doing the shopping.

Klunkung market

The first place I went was the Klungkung traditional markets. It’s ostensibly about 30 minutes from Ubud where we stayed but with traffic that was more like 45 minutes. I’m not sure if there is anything particular around the markets but we passed some attractions like the Elephant cave on the way (closer to Ubud), so if you were staying in Ubud and wanted to go, you could maybe fold it in to a trip to look at some temples. The scenery on the way was spectacular, too, frankly the drive itself was a wonderful experience.

The market was just amazing. It was PACKED with gorgeous fabric, woven traditionally (although not natural dyes) for about 1/3 of what you would pay for it elsewhere in Bali – which is again drastically cheaper than in Australia, if you could even find it. The most expensive fabric I saw was 120,000 IDR which is about AU$13 per metre.

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Just stacks and stacks and STACKS of gorgeous Ikat. There was also plenty of non-Ikat fabric. I bought two lengths of ikat, two of solid coloured fabric, and also a large scale gingham. There was also lots of stripes and checks and all kinds of patterns. Mostly shirting weight or a bit heavier.

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Here’s my haul. I had real trouble photographing those solids, the colour is so rich and the photos wash them out. They’ve got a bit of a shot cotton effect.

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I bought 5M of each of these solids thinking that would be enough to make a shirtdress but of course it’s woven on a traditional loom so they’re only 1M wide. I should still get some kind of dress out of that length, it might just have to be short sleeved and not have a giant pleated skirt. Perhaps another B6055? Whatever I make out of this will be glorious, the fabric has such a wonderful hand and the depth of colour is stunning.

The solids were something like IDR 60,000 (about AUD$7) per metre and the ikats were just under IDR100,000 (about AUD$11) per metre. A steal. The woman who I bought the majority of this from had very minimal English, but everyone in the market knew ‘how much?’ and ‘per metre’ and if things got hairy after that they would punch the number out on their calculator. As I was buying these a couple of French women were buying with only hand gesticulations, so language isn’t an issue. You can bargain, but I didn’t really bother because everything was already so cheap – a 50c per metre difference is not much for me but it’s a lot for the vendor. I did get an automatic discount for buying multiple lengths in one spot, which is a standard thing around Bali, so bear that in mind.

The Ikats, hanging out to dry
The Ikats, hanging out to dry. They were a bit stiff but softened up nicely with a wash.

I was actually so overwhelmed by the fabric that I didn’t even look at the other areas of the market! I will just have to go back another time… If you are considering going and you have the time during a stay in Bali, I would definitely recommend the Klungkung markets. Even had I not bought anything, I think it was worth it as an experience. I wish I’d had enough money to buy more of the stripes and planer fabrics because I think they would be excellent ways to work a bit more interest into a handmade wardrobe like mine, where I prefer solids but don’t want to be boring. I also wanted to get some Ikat with a black background to maybe make a shirt with Steven, but without him there I couldn’t find one I was sure he’d like, so I left them behind.

Jalan Sulawesi in Denpasar

The next stop was Jalan Sulawesi in Denpasar – the fabric street. This was about an hour’s drive or perhaps a bit more from Klungkung. If you’re already staying in Denpasar, or going there on a day tour, I would definitely recommend a stop over at Jalan Sulawesi. I spent just under an hour there and got some excellent stuff.

In the Trip Advisor photos it looks quite open and easy but my experience was that it was CRAMMED. The parking is down one end of the one-way street, and there were tonnes of cars. It was very hot and sunny, and the strip of shops have awnings pulled down to protect the fabric and people from the sun so it was a lot more claustrophobic than in the Trip Advisor pics. The shops themselves are just totally filled to the brim with fabrics, so you have to sidle through, the exception being the store selling quilting fabric, which is very open. I did stop and buy a jellyroll as a gift and it was reasonably priced and the fabrics look beautiful. However of course I was much more interested in the garment fabrics.

I found the first couple of stores a bit of a bust, lots of fussy prints and polyester. Some nice fabrics (lots of Liberty knock offs) but not to my taste. But further in there were some real gems. I find it hard, in Adelaide, to find good, solid basics, especially in bottom-weight fabrics. Here I found plenty, as well as lots of shirting weight cottons and linen in every weight and quality you could want!

The viscose I ended up buying
The viscose I ended up buying

I did find I got hassled a fair bit – there was a woman there who I think must be a bit of a broker for some stores because she followed me down the row trying to talk me into buying things at various stores. She did in the end talk me into some linen. She saw I was also interested in the viscose there but at that point I had run out of money and didn’t buy any. However after heading back to the car I decided that I would just go back to our resort rather than stopping for lunch, and that I would regret the viscose so I went back and spent my lunch money on it! The store owners seemed pleased that I was paying them directly, so I don’t know what that woman’s relationship with the stores was or if I did something very rude by not going through her. Honestly I found her very annoying and it made it hard for me to shop like I wanted to. Next time I would be more aggressive about refusing people like that and just doing my own shopping.

Viscose
Viscose selection

I spent the most in a shop a couple down from the quilting store. Partly because they had some really excellent basics, but also because they pretty much left me alone unless I asked a question. They had tonnes and TONNES of linen, and they also had swatch cards so you could flip through easily and then they’d find that one for you on the shelves. There was some lovely patterned linen that I lusted over but didn’t buy because I was mostly looking for solids. I did buy there two long lengths of ‘baby canvas’ – a rich warm beige and a black – and honestly I wish I had bought about 10m of each instead of 3 of the beige and 5 of the black. This is exactly the sort of thing I always want and is almost impossible to find here. It was about AUD$5 a metre. I bought this with my grandma in mind – she has asked me to make her a skirt but lamented the lack of good fabric. ‘What’s happened to gaberdine?’ she wanted to know ‘Where did gaberdine go?’ Good question, Grandma, I wish I knew the answer. Anyway I also got 5m of ‘supernova’ fabric for a shirtdress, although now it’s pre-washed I’m worried it might be a bit light for that. It’s like a very very light chambray. If it doesn’t become a dress it will be an excellent top of some kind. It was about AUD$4 a metre.

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My haul from jalan Sulawesi – plus the large scale gingham from Klungkung markets.  The two on the left are the baby canvas and the middle are linen and ‘supernova’ cotton – or maybe it was a cotton linen blend?

Swatch cards - very handy
Swatch cards – very handy

The store where I tool the most snaps was the one where I eventually caved and bought the linen – again to make a skirt for my grandma, if she likes it. I hope she does like it because it’s a bit too beige for me, but it’s a very lovely heavy, drapey linen. This store had a lot of nice linen also, higher quality than the other store and appropriately a bit more expensive. The linen was more like AUD$12 a metre. This is also where I bought the viscose and they had some really nice prints – a nano iro knock off and some nice botanical prints. I went with the ferns. No idea what it will be, I got 3M so that’s enough for a plain dress or a top maybe. It’s a nice weighty fabric. What would you turn it into?

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Look at all those linens! I am in lust with those stripes but I keep buying shirting weight fabrics in blue and white stripes so I’m not allowed any more until I make something with them!

Anyway. That was my haul and I only got about five stores down! Then I’d spent all my money and went home 😛 Another time I would like to go the whole length of the street before buying anything, which was my intention but then I started getting hassled and got flustered. It was quite overwhelming, lots of things happening and lots of choices, so be prepared. It absolutely was worth it for me because I honestly just don’t have access to those fabrics here, at least not within my budget. I didn’t see many knit fabrics – a few but not many – but who knows what was further down the street!

I was going to go to Alta Moda in Kuta as well, but given that with traffic it’s another 45-60 minutes each way, and that I’d already spent my money, I gave it a miss. I’ve heard it’s a wonderland, although more expensive. I bet I would have found some knits there. Perhaps next time.

Even considering the cost of the driver for the day, this came out at a very good price for fabric – especially for a fussy cheapskate like me! Got some good quality stuff at very low prices. I’ve managed to cram it into my stash but only because my pre-holiday sewing cleared up some room. I really really need to focus on sewing down that stash. I’m helped by the fact that the Spotlight in town has closed, so it’s much harder to get sucked in to sales prices for fabric I don’t really need. I’m hoping this will mean fewer, but better, stash acquisitions. There’s still Lincraft for notions and they have better basic fabrics and zips etc anyway, so it’s not like I’m deprived.

Anyway, I hope that was of use or interest to someone! Now I just have to start planning what to do with my haul…

Turnstone skirt

Hello lovelies! Here is my new favourite make (my favourite is always whatever I most recently finished, ofc), the skirt from Simplicity 1166.

I’d already made the top, but the skirt was what originally made me purchase the pattern. I don’t buy many skirt patterns because how many variations on ‘cut a rectangle, maybe shape it a little, attach it to a waistband’ does one person need? About three, according to my stash… but I do keep an eye out for skirts with a bit more shaping or some drafting details, and I thought the pleats and shaped waistband of this one would be interesting.

The fabric is a very lightweight cotton denim from DK fabrics. I stopped in to get some silk organza for a presscloth and interfacing, and ended up also getting 3 metres of this at $5 a metre. Couldn’t resist. It’s quite light with a thin stripe through it, and a denim weave, and it’s got a lovely slubby natural quality while also being gorgeous and soft. It’s a dream to wear and I suspect it will wear well. I’ve been thinking about going and getting more to make a shirt, but I think it would make me look washed out if it were close to my face.

I didn’t buy it with this specific pattern in mind, but just because I need some more casual, nuetralish skirts that I can wear with tshirts on the weekend or on casual Friday. I settled on this pattern and then discovered I didn’t have quite enough fabric. This fabric is about 120cm wide, which meant the pattern didn’t quite fit. Which was annoying, since I’d already cut out one front panel. Holding that panel up to my waist I realised the skirt is also LONG, and hit me at a place which made it looks very dowdy, so I folded 3″ of length out of the pattern and managed to fit it on the fabric, just. I had to cut the waistband with the stripes running horizonatally, but I was considering doing that anyways.

Here it is with its intended shirt:

My waist measurement is just over the largest size for this skirt so I held the waistband up to my waist and decided it would be a bit tight, so I added and extra 2″ total to the back waistband. I had meant to add some extra to the side seams when cutting but forgot – and it wouldn’t have fitted on the fabric anyway – so I just sewed the side seams smaller. I also put some elastic in the back – I zigzagged the ends of the elastic to the waistband facing, pulling it tight so it gathers in. I do need it – I suspect the waistband would have fit me perfectly as drafted but then it would have been too tight when I sat down. I don’t at all mind the gathers on such a casual skirt and anyway, a gathered elastic band is better than a falling-off or cutting-in-half skirt.

I do want to move that top button in because it sits where my stomach starts to go in again so right now it sticks out a bit. There’s supposed to be a snap on the inside between the third and fourth button but it sits fine without it so I didn’t add it.

It needs to come in maybe 0.5cm

I also had trouble putting it together. This was about 50% user error and 50% poor pattern writing. I was still a bit sick while sewing this and also did not read the pattern very carefully because it’s a skirt, right? How complicated can it be? Well. I got all the skirt bits together but then they didn’t fit the waistband! I checked and it hadn’t stretched out – I’d stay stitched – although I did find a pleat marking I’d ignored, because I hadn’t been able to work out what the pleat paired with. Always a good sign. Like finding one leftover screw.

I was feeling CROSS with this skirt by this point, so I ended up just sewing it up the back until the skirt fit the waist, and then chopping the extra off. I basted it to the waist and tried it on and it looked… fine, but a bit awkward. I decided I’d go buy some buttons and put them in and see how it hung when properly buttoned.

Before doing this though, after a day of cooling down, I googled to see what other people had made. Seamstress Erin has made one, and mentioned no  issues, and La Sewista has made one – she DID have problems and, like me, couldn’t work out where that pleat was meant to line up. But I could see from both of theirs that their pleats were closer to each other and to the front than mine, and the side seam was not at the sides! You can just see this in the line drawing but it’s not clear, and it’s not explicitly mentioned anywhere in the instructions. The instructions also don’t point out where the pleats line up – they just say ‘sew the pleats by matching up the markings’ or something similar. But there was enough information to tell me that I had done a bad. So I unpicked everything and serged the bits I’d cut off back on. Luckily, in the stripe, you can barely see this at all! Here is the back side of it, so you can see (and also see the evidence of the denim weave:

And here it is on, the join is just barely visible, if you look.

So I re-examined the pattern to figure out where I’d gone wrong. The back panel is actually marked ‘back and side front’ panel, because it is meant to wrap around the front. And there was a pleat line I’d missed – one of the larger size pleat lines is mislabelled ’14’ rather than ’24’ so I’d not seen it. The trick is that there are the two front pleats and then the third pleat goes around the pocket – so there’s a pleat line about two inches from the side seam of the front piece, and another two inches from the side seam of the back piece. The pocket therefore sits in a deep pleat, and it and the side seam are hidden. I found this very hard to photograph, but here are my attempts:

you can just see the pleat seam to the left of the pocket
I’m holding that third pleat open
Pulling the pocket bag out – no dollars but no moths either, thankfully

I still think the sizing is off on the larger size, though. Even after working out my error, the skirt was too big for the waistband – and this is the waistband that I’d added 2″ to! I ended up sewing the side seams at the regular seam allowance, and also taking a bigger pleat. I suspect that the two front pleats should be bigger, and perhaps a bit closer to the placket. From the diagrams, it looks like the front is supposed to be small enough that the pocket bag sits under the facing, which is not the case for me, but perhaps that’s to be expected for the bigger size.

I am still struggling with taking good photos of the insides, sorry.

Anyhow, after a bit of fiddling I got everything together, and the pockets sit exactly where they should, and it looks GREAT. The first time I tried it on after I had sorted out my error I was just thrilled. Luckily this fabric is very forgiving and shows no sign at all of all the times I had to unpick things.

I did consider lining it but decided to keep it breezy and light. It’s long enough that it weighs itself down and I don’t miss the lining. I just top stitched the hem, although I note it drags at the back, just enough that I notice. I thought this might be because I didn’t account for my swayback but I noticed the back hem shows even on the hanger, so I suspect a cutting error when I took the length off. I’ll go back and fix it eventually but I might leave it a while in case the hem drops on the bias. I hung it for two days before hemming, with no dropping, but sometimes it takes a while.

Cat-meo. Cameow?

I also initially put in some square buttons, because they were the only ones I could find that I liked. I knew before I sewed them on that they would always look wonky, and they did. So I took myself off to the Button Bar and Veronica sorted me out, as always, with these round wooden look ones. They’re actually plastic and sewn on backwards because they have an engraved star on the front that I didn’t like. I should have known better than to go anywhere else (the square ones were from Lincraft) but Veronica only works later in the week these days and I bought my buttons on Monday. Didn’t want to wait! Should know better.

I don’t think it really shows in the photos but the placket is a bit wonky at the top. Another time I would top stitch it – the pattern doesn’t say to and I complied, but the wonky is from it rolling a bit unevenly so I would topstitch or at least understitch. I also initially pressed the darts to the side because I find that more flattering, but it looked odd because the side pleat was going the other way, so I went back and pressed them to the front as the pattern directs.

The pockets are pretty small and shallow – they perfectly fit my work pass card, and my phone and wallet fit but feel a bit precarious. Anything too heavy drags the skirt down a bit though so I don’t think I’d bother to change them if I made this a second time. I find the length perfect and would have been overwhelmed if it were any longer. The waistband does fold over the day but I don’t think it looks bad. It just is.

Here’s a TL;DR of the changes I made and problems I had:

Changes

  • I made the largest size – size 24 – for my 110cm-ish waist
  • I shortened the skirt 3″
  • I added 2″ to the back waistband and then added elastic to it.
  • I used sew in interfacing because that was the heaviest interfacing I had.

Problems:

  • The pattern is very unclear about where the pleats go
  • The first two pleats pleat on the front piece
  • The second two pleat around the pocket and side seam – one side of the pleat is on the front, and one is on the back.
  • I found that the skirt was still too big for the waistband, despite having added length to the waistband, so something is very off there.
  • I suspect that the larger size pleats haven’t been sized up enough. If you are making this, I suggest lining everything up to check before you sew the pleats, to see if it will all fit together.

I’m a bit unimpressed with those drafting and instruction oversights, to be honest. I’ve not come across any discrepancies this large before in a Big 4 pattern. However, the original vintage drafting is so clever and neat, and I feel like it gives a perfect amount of volume without compromising on comfort or ease of movement at all. I think this will be the perfect casual skirt – I don’t intend on doing much housework in it but if yoga pants didn’t exist I think this would be the next best thing, and very practical, although I think this fabric might be a bit warm in full summer. I will definitely put this on the list to make again.