Hello friends! Things have been pretty quiet here lately – not much sewing happened for a bit there. It’s warmer now and I suddenly want to make all the time, but taking and editing photos still remains the challenge. Hopefully I’ll have some more things up before I totally forget what I did when I made them. Anyway, for now I have another Simplicity 8250 for you!
I really liked my last version of this, but wasn’t managing to get much wear out of it because the weather was too cold, so I dipped into the stash and came up with this teal wool. I’m not sure where this came from – I think perhaps from someone else’s stash via craft camp?
There was only a couple of metres and it’s a bit lighter than my preferred teal (#tealopinions) and so hadn’t been used yet. But it’s such a lovely fabric, I’m thrilled to have got it out of the stash and into my wardrobe.
Because I only had two metres I had to shorten the skirt 1″ to fit it on my fabric, which just meant I took a 2″ hem instead of 3″ which is more manageable anyhow. Tbh I think the length is a bit frumpy for a winter skirt. I like it here, but with stockings under it it looks dowdy.
That said, I’m not taking it up because it’s so warm and cozy and comfy at this length! It’s basically like wearing a blanket. I also managed to sew the front overlap the other way and I like it better this way. A small thing, but there you have it.
Once again I made the largest size, and with the bulky fabric it’s probably a bit slim at my hips, as it rides up a little when I sit down and you can see a bit of pulling at the back even when standing, but I don’t think I’d bother to go up another size.
As I said, I sewed the size 24, which is the largest size. I also added a lining with taffeta from lincraft which was previously my favourite thing with lining but sadly they don’t appear to stock it anymore, thus removing the sole remaining reason that I ever went there. Oh well!
I figured that I didn’t need two skirts with curved waistbands, so I used the straight one on this. I faced it with broadcloth to prevent the wool being against my skin, and I really like the firmness it gives to the skirt. I initially gave it inseam pockets like the previous version, but I forgot to interface the seams there like I usually do, resulting in them bagging out and being a bit… hmm… well…
So I unpicked that seam and the pockets and sewed it shut again, and applied the patch pockets. And I’m very glad I did!
I love how they look and they are such an excellent size and shape. The pockets are intended to be sewn on after the whole skirt is complete anyway so I wasn’t cutting any corners.
The only thing I wish I’d done differently is that I wish I’d lined the pocket. The pattern for the pocket is the pocket shape, with an extension at the opening to fold back as a self facing. There’s also a facing for the curved side of the pocket. You sew the facing to the pocket, right sides together, catching the extension in the seams. You then flip the pocket right side out and slip stitch the self facing down.
I interfaced the fold line of the self facing, which wasn’t in the instructions, and I’m very glad I did because it would be quite floppy without it. But I wish I’d also gone with my instincts and completely lined the pocket, either keeping the self facing and stitching it down to the lining, or even just completely lining it. It would give the pocket some more structure and you wouldn’t be able to see the fold of the self facing as clearly, although this obviously would be less of a problem with a lighter fabric.
The pattern as drafted also means you can feel the facing flapping about in the pocket when you put your hands into it. I just don’t think it’s very elegant, and it would be so easy to finish it neater. Next time I will trust myself and do so.
I hand picked the zipper again, and boy do I love how it looks in this wool.
I hope you will excuse any weirdness in the photos. I’ve decided I can’t bear to give up my blue wall as a background, even if I have a bit of trouble working out how to interact with my art.
Even if it does mean balancing on a board on top of my mattress.
Even if it is…
… a little bit…
Stuck that landing! 10/10 from the Russian judge.
I just love this skirt, a lot. So much so that I’m almost sad that it’s too warm to wear it now! Hahaha just kidding, I will never be sad that it’s warm. Sorry, skirt!
I picked this up in my last ‘3 for $15’ haul at Spotlight. I just grabbed a bunch of vintage reprints because I always regret them if I don’t pick them up and then they go out of print. Initially this wasn’t on my shortlist to make immediately. I was a bit put off by how it looks on the model. It looks to me as if the skirt is sitting too low and the bolero too high, or perhaps it’s too small?
Whatever it is, the proportions look a bit odd to me – or too modern perhaps? I’m having the same issues with 8251 which I like in theory but the proportions look very odd and I can’t work out if it’s because of the model, or the actual proportions. They use this model a lot for the vintage patterns and about half of the ones she models have the waist and bust darts in totally the wrong place, while the other half are fine, so who knows?
Anyhow! I posted my pattern haul on insta and a bunch of people commented how much they liked this one, which caused me to give it a second look. It’s a pretty basic pattern – it’s a 1/4 circle with front, back and side seams. Both sides of the front have extensions of an inch or so that are folded over to create that overlap, which is then topstitched down. It would be incredibly simple to draft this oneself. The highlights are obviously the shaped waistband and the patch pockets.
The quoits skirt was sewn at craft camp. The fabric is a mid weight cotton drill-type fabric that I got from unique fabrics in Melbourne which is basically my favourite place in the world. I have trouble finding good bottom weight fabrics in Adelaide so I was thrilled to find this. I was envisioning an a-line type skirt, something 70s ish, maybe S8019, for spring and autumn. But no matter how many times I got out the pattern and put it on this fabric, I ended up putting it back again. It just wasn’t right. This fabric wants to drape and swoosh! Once I decided to make up 8250 it was the perfect candidate.
I sewed a size 24, the largest size. Obviously I made up the version with the shaped waistband! I was concerned that it would fold and rumple, but I find it sits in the right place on my torso and so the curved portion sits up away from my body just enough that it only folds slightly when I sit down and my belly smooshes into it. I used thick sew in interfacing, too, so it holds its shape nicely.
The only negative is that I wasn’t quite sure what I was doing when I sewed it together, and I didn’t take the curves as nicely as I’d like. As a result they’re not really shapely in the correct way. They’re ok, but every time I look at it I notice that they’re slightly wonky and it does annoy me. I would recommend that you do a practice run on scrap fabric before you sew this, as well as marking the sewing line on the backside so you can be sure to follow it. I was only out by a few millimetres but that made a massive difference on the curve. I didn’t manage a great closeup of this on, but you can see it below – there should be more of an overlap in the ‘petals’.
Pertinent to the above, the instructions for this are not good at all. Despite the simplicity (ha!) of the skirt pattern itself, I would NOT recommend this pattern to a beginner, because the instructions are just chaos. To be honest I only glanced at them to see what they suggested doing for the curved waistband, but I went back and checked them before I wrote this blog post and boy! I had trouble comprehending them at all.
There are separate instructions for the shaped vs the straight waistband, but it just launches into one and doesn’t point this out, or mention the places where they differ so if you are sewing skirt B you are totally disoriented. I would have found it easier if they’d done it all in one and then where it differed, said ‘for skirt B do blah blah, for skirt A do blah blah’ but I guess they were following their convention for writing instructions. I also felt that the sewing together of the fronts and the waistband curves are not explained well at all, and the diagrams didn’t really show the bits I needed visual help with.
They also have you top stitch the front before putting everything together, and don’t continue the topstitching onto the curved band. You can see that’s what they did on the modern remake of the pattern. I think it looks messy and is a real missed opportunity for a nice detail. The vintage line drawing clearly has the topstitching continuing up and around the curved waistband, as Liz points out, so that’s what I did.
I basted the fronts together, attached the waistband, and then topstitched everything in one go. Easy. The basting also made it much easier to be accurate with the topstitching and not pull it out of line as I went. I honestly would not like to attempt it without basting. I’m really pleased with my topstitching on this. I tend to rush it and that is not a recipe for good topstitching! This time I went slowly and carefully and it paid off.
I guess they don’t tell you to do it this way because it would make another difference between the way the two waistbands are sewn so they would have to describe it twice and probably take another piece of paper. But they definitely could have condensed other parts of the instructions to allow for this. (I did cut a small hole in it when I was unpicking the basting because I wasn’t being careful. I don’t have any fraycheck so I darned it and you can just see it if you look closely. Oops!)
The instructions have you topstitch at, I think, 1.5cm. I just did it the width of the sewing machine foot, which ended up something like 7mm? I like it and think 1.5cm would seem very wide to me, although it could be fun and chunky. Maybe another time?
They also have you put the zipper in all the way to the top for the curved waistband, but only to the bottom of the band for the straight and add a hook and eye. I did not do this – I find I need a hook and bar for my skirts to sit nicely. My stomach expands when I sit down so without that the waistband will gape. I extended the waistband so that I could put one in. Unfortunately I cut this out a few weeks before craft camp and forgot I’d done it. Because of this and also being uncertain how the fronts went together, I sort of winged this part and ended up with a messy overlap – on both sides!
I fixed it with some hand sewing but it’s messy on the inside and definitely not my best work. Oh well! It does mean it’s got a hook and eye on one side and a press stud on the other which turns out to be kind of good because it keeps the band sitting straight, which means the front curves don’t pull outwards or sag. I have been contemplating re-doing the waistband because of the poor job I did with the curves and the overlap but so far it’s not quite annoying enough to bother doing that.
I also bought a bulk lot of the hooks and eyes on etsy for less than a pack of 4 at my local stores… except my local stores have stopped carrying the large size altogether. And then they have the nerve to complain that online retailers are taking their profits! I’m TRYING to give you my money! Please stock the things I would like to buy and that are your supposed core business, instead of decorative glass bouys and hen’s night novelties!
Anyway. The bulk lot is good because I inevitably end up losing the bars and only end up with hooks and at least my odds of retaining some are better with more of them.
I should also mention I’m still trying to work out how to reclaim my blue wall for photos – the waist on this skirt looks EXTRA high but that’s because I haven’t quite worked out the height the camera needs to be at to get good shots while balancing on my bed, so it’s too low and has the effect of shortening my waist. I mean this is a high waisted pattern but it’s not right up under my boobs like it looks here. You get the idea, anyway.
I hand picked the zipper on the principle that it would actually be quicker than trying to do it by machine and having to unpick and redo it five times. It’s not totally neat but I am getting better at this process, and I actually really enjoy it. I made it centred rather than lapped because I found that easier to work out how to do and I’m still new at hand picking so I wanted to keep it simple for my brain. I also hand sewed the waistband facing down, and hand sewed the hem after letting it hang for a week – it did sag quite a bit on the bias.
This skirt is quite long, so after trying it on I decided on a three inch hem. I didn’t do the gorgeous patch pockets because I felt it might be too much with the curved band, so I added inseam pockets.
I was going to add a lining as well, but because I cut it out beforehand I accidentally cut a lining with a side opening. I didn’t have enough fabric on me to cut one that would open at the back, so I just went without. This means I can’t really wear it now, as it’s too cold, but it will be perfect for spring and even cooler summer days. It’s surprising how much warmth even a thin lining can add!
Sewed a size 24
Added in seam pockets
Hand sewed zippers and hems
Added a hook and bar to both zips
Basted the front overlaps together first, did the rest of the constructing and then top stitched
Continued the top stitching up and around the waistband (top stitched the underlying half of the band first)
Next time I would take more time with sewing the curves of the waistband, and mark the seam lines to make sure I got the curve exactly right.